Notes to my

Former Self

A new album by Maria Finkelmeier

“One-woman dynamo” — The Boston Globe

“basically an entire art scene herself” — NPR / All Things Considered

Woman in a blue outfit holding two white-headed mallets against a pink background. Maria Finkelmeier Photo by Adam DeTour

Notes to my Former Self is Maria Finkelmeier’s debut solo album for marimba, percussion, electronics, and voice: a recording that expands the marimba into a full-body, cinematic instrument.

Recorded and mixed in Spatial Audio by John Escobar, the album moves between virtuosic percussion writing, intimate vocal fragments, and lyrical improvisations, creating a 10-track arc about memory, transformation, and the distance between who we were and who we are becoming.

Born from Finkelmeier’s touring solo performance work, the album stands alone as an immersive listening experience while also connecting to a larger visual performance world.

At a time when contemporary classical music is increasingly shaped by performer-composers and deeply personal forms of storytelling, Notes to my Former Self offers a distinctly embodied approach to solo percussion. The album reframes the marimba not only as a virtuosic instrument, but as a vessel for memory and transformation. It reflects Finkelmeier’s broader practice as an artist working between concert music, public art, technology, and live performance.

The Team

Track List:

  1. Vignette 1

  2. Hourglass

  3. Vignette 2

  4. Superhero Butterfly

  5. Vignette 3

  6. Cascades of Embers

  7. Vignette 4

  8. MUD

  9. Vignette 5

  10. alla finé

Woman posing against a pink background in a red patterned blouse and blue patterned wide-leg pants

Assets to be written, designed, and available:

  • Full album design and booklet

  • notes regarding each work

  • Scores for each Vignette for sale

  • Comprehensive social media campaign

Additional team members:

Assisted by Kara Snethlage, Jane Long, and Denver Nuckolls 

Special Thanks: Broadband Collaborative, Supreetha Krishnan, Allison Rodman, John Weston, Max Gaertner, Berklee College of Music, Siwon Kim, Katie Jillson, Lillian and Azalea DeTour.  

The Live Show

Former Self is a 65 minute concert experience featuring original music and generative visuals based on a series of notes from Maria to her former selves. Stories ranging from cautionary tales to moments of resilience create a personal, yet approachable thread of connectivity. Featuring the sounds of marimba, electronic samples, bells, voice, and spoken work, each work expresses a rich and dynamic texture. The project utilizes video animations created by tracking Maria’s movements on stage, where each percussive gesture becomes a web of linear visual energy. The webs are nested in bespoke settings created by visual artist Supreetha Krishnan. Supreetha’s work explores how extended reality interactions can enhance audience participation and community building. The work can be paired with workshops and guest lectures.

Upcoming

Previous

Museum of Science, Boston
Boston, MA

May 2, 2025
Audience watching a Maria Finkelmeier onstage beneath a large projected abstract digital display at an indoor event
Maria Finkelmeier performing on a marimba and electronic instruments on a blue-lit stage before an audience
April 7-8, 2026

Pearl Arts
Fort Wayne, IN

Kutztown University Wells-Rapp Center for Mallet Percussion Research

Kutztown, PA

White "NOV" text above a large number 8 on a black background
November 8, 2026
Female musician Maria Finkelmeier performing behind a vibraphone and colorful percussion bells on a dimly lit stage
November 15, 2024

Workshop

Percussive Arts Society International Convention Indianapolis, IN

Smiling female musician Maria Finkelmeier playing mallet percussion onstage amid colorful projected lights and audio equipment
December 5, 2024

MassArt Art Museum
Boston, MA

Female musician performing on stage with mallets on a large wooden percussion instrument under orange lighting
April 17, 2025

American University of Sharjah
Dubai, UAE

Glowing blue fiber-optic cable wrapped around a sculptural hand emerging from dark gravel, with illuminated mathematical equations in the background
August 22, 2026

Art Intersection MKE
Milwaukee, WI